_Strings_art in multiverse

Strings_art in multiverse

Träumen

_Strings_art in multiverse Strings_art in multiverse Träumen

The artist , wolfganc sacman , born `53 , grew up in a family of painters.

His relationship to colour is shaped by the world of pure pigments and their binding agents.

He explicitly describes his relationship to artistic activity in his philosophy.

My works of art are not only “Of and For this World”

They are rather an expression of the mechanisms and interactions on the level of quanta and

the four basic physical forces in the universe known to us.

His artistic expression is characterised by the elementary principles :

- pure chance , causality , wave and particle character

- Supersymmetry and the dimensions of unified field theories and string theory.

Principle of superping stochastic as a probability statement osition - someth

- Uncertainty - indeterminacy relation

- Entanglement of elementary particles :two or more entangled particles are only

only be considered as a total system and no longer as the sum of the subsystems

- Inanimate and animate matter : compartments, programmes and reproduction

Metabolism, catalysis, regulation, growth with adaptation/ evolution

- Thermodynamics of living systems

- Information- the mind corresponds to potentiality, as imprinting of form into matter

- Reality - reality and consciousness - non-normal wholeness as source of the

free will, as spirit in the person of the artist, as a cosmic quantum self of the

source of free will as spirit within us as the origin of All Being in the medium of the

creating artist himself .

The basis of his manifold representations

The basis of his diverse representations are conventionally painted pictures. These are

developed in a variety of ways, with the tools of digital and manual

techniques, to an elementary status.

This is subject to the processes of the dynamic expansion of time and space in the eyes of

the viewer.

At any given moment, interactions take place that can lead for a moment to a renewable

interference, constructive or destructive, under polarisation .

In particular, of course, in resonance with the respective viewers.

All of this in a constantly renewing process of the artistically determined

evolution of the :

”Being an art object”

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